Drawing live musicians is great, although it gets harder (and more exciting) the more mobile they are.
A week or so ago I went to a gig my friend Cynthia of Sophecy played in King's Cross, but managed to catch only the last fading notes of her performance as I rushed from a Year 7 parents evening
(I made a 12 year old cry, worth it).
To console myself I drew two of the remaining acts, the Mumfordesque Narrow Plains and the very exciting Shockolady. The latter was an example of the harder kind of live drawing as she was pulling out a lot of sexy moves.
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